He Liked Cheese

by Josh Zinn

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A friend of mine died last month.

Truth be told, he wasn’t “mine” so much as he was tangential––one of my husband’s best friends whom, over the eight years we’d known one another, I’d grown to care for immensely.

He passed away unexpectedly, in that sudden, numbing, “should-we-cancel-tonight’s-dinner-party?” fashion where processing the shock of what’s happened feels insurmountable, so the easiest thing to do is tuck the pain away and stay on track with the day’s agenda: buy wine, make sure we get those garlic n’ herb crackers everyone likes, and try (in vain) to get all the dog hair off the couch before guests arrives. Fill the hole, rinse, repeat. It’s not that you don’t care. It’s that you care too much to accept part of your life is now bound to a path which ends in sadness.

That evening, seated amidst baguettes, brie, and the beginnings of bereavement, those of us who’d known him began asking the how’s and why’s which always come in these times. Could any of us have stopped it? Had we let him down? Was he at peace when it happened or, god forbid, was he scared? Of course, no one knew for certain––we weren’t questioning with the expectation anyone had answers––but that didn’t curb our casual speculation between bites of muenster and sips of Chablis. Like Trump, Game of Thrones, and impending summer weddings, the mystery surrounding our friend’s abrupt demise––this horrible, tragic, raw thing all of us had internalized but no one seemed prepared to deal with––became yet another topic to discuss over finger foods. As big as our collective pain was, turning him into small-talk was the best anyone could muster.

I’m no stranger to death, but death never stops feeling strange to me. Over the past decade I’ve lost my mother, grandmother, uncles, as well as several good friends––at least one a year for the past five (but who’s counting?) Some of their exits have been peaceful and expected. Others, jarring enough I’ve since become conditioned to answer every phone call I receive with trepidation, fearful the frog now permanently lodged in my throat will leap forth the moment I’m told to prepare for another season of sorrow. If we’re talking semantics, then, yes: like everyone else in this world, I know death eventually awaits me. That’s fine; it’s part of the process. What bothers me is that, in the here and now, I’ve become far too used to waiting on it.

No one told me this part about growing up––that life inevitably settles into one long, dragged-out goodbye. When I was a kid and even well into adulthood, I can recall cheerfully bragging, “I’ve never known anyone who’s died!” as if having been spared the experience of grief was proof of my own specialness. Though I’m sure, at the time, I believed I was merely hunting for facts to stand out in the crowd, in hindsight I can’t help but wonder if somehow there was a sense of what was to come: an avalanche of loss ready to bury the people I love six feet under. I can’t help but question whether the universe was trying to tell me to take stock of my life, saying, “Hey, kid. Yeah, these people may piss you off, but try to enjoy them. This ain’t gonna last.”

That’s what death does. It makes us question every moment, every interaction we’ve had with someone, leaving us asking, “Was it enough? Was I enough?” Death funnels voices into one-sided conversations––our arguments and apologies falling on the deafest of ears––where the only thing we can be resolute about is our perpetual lack of resolution. It is a destroyer, a haunter, a gatherer of memory, and, aside from being loved, it is the single most overwhelming and powerful force I have ever encountered. In the short span of ten years, death has reshaped my life, decimating my sense of security and self, then taunting me to rebuild in spite of. Have no doubt, my heart still runs. Years of goodbyes, however, have made sure it runs with a limp.

“I like cheese.” If you were to look at our friend’s Facebook profile, those are some of the first words you’d see. Sitting around the table that sad February night, stuffing faces to make up for our loss for words, I don’t think it was lost on any of us that, in our own pasteurized and aged-for-six-months way, we were paying tribute to the gem we’d lost. Like all those loved ones who’d left us along the way, we quietly wondered to ourselves how our world would go on without them. That was the rub, though: we still had our lifetimes to figure it out.


Josh Zinn is a graduate of The Mountainview Low-Residency MFA in Fiction and Nonfiction.  Currently, he is working on a collection of comedic, autobiographical stories about mental illness.

Thank You, Carrie

by Josh Zinn

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Last Christmas I kicked my seventy-year-old father out of my house for doing drugs in my bathroom. The next day Carrie Fisher died. Bah humbug.

Truth be told, though I did my fair share of Scrooging over my stoner dad the remainder of that holiday season, it was nothing compared to the Jacob Marley-esque chains of grief cast upon me by the sudden passing of the first person who made me believe someone like me could be a writer. Not to diminish my drug-addled pops and the role he played in bringing me into this world, but I can say with all certainty it was discovering the prose of the drug-addled Ms. Fisher which gave this awkward, manic-depressive gay kid life. Immaculate conception, indeed.

"Maybe I shouldn't have given the guy who pumped my stomach my phone number, but who cares?" The first sentence from Fisher’s debut novel, Postcards from the Edge, is seared in my brain like an instruction manual for the self-destructive narcissist. I can still remember reading it in Waldenbooks, all of thirteen, and audibly gasping upon my realization not only did Princess Leia have talents which extended far beyond aluminum swimwear and hair masquerading as Cinnabon advertisements, but she was emotional kindred as well. “Fiction,” she called her story of a washed-up actress coping with addiction and a domineering showbiz mother, but anyone without a life (me) and possessing even a smidgen of Hollywood history (me, again) was aware that excuse was so thinly veiled the book may as well have been written on tissue paper. This was autobiography and I was in awe.

Finding Fisher was like stumbling upon a funhouse mirror, reflecting everything I’d ever dreamt and dreaded for myself. Neither steeped in literary pretension nor pandering to the cheap seats her sci-fi pedigree guaranteed, her work was raw, hilarious, and self-aware enough to know the silver spoon she’d been born with had given her a ready-made audience for her silver tongue. Like me, she endured mental illness and persistent pessimism, never sure which days the black hand of self-hate would completely blind her from objectivity. At the same time––again, like me––she reveled in the magic of the world, whether it be film, art, or a perfectly dirty double entendre, using those respites of joy as fuel to rocket past her head’s omnipresent gloom.

When you’re diagnosed as bipolar, doctors will describe your life and mood swings as a rollercoaster you can’t get off. What no one wants to tell you, however, is how addicting those highs can be; that, most of the time––even when you’re in the throes of the most fucking awful “I’m-listening-to-Celine-on-repeat!” depression you could imagine––you won’t want off. Carrie Fisher told me; she told anyone who would listen. Her writing was unashamed and unapologetic as it recounted the damage done. It never took glee in pain, but never shied away from its ugliness, either. If there was ever a lesson to learn, it was simply to quit crying, accept the mess, and find a way to make crazy work for you––hopefully, by laughing in its face.

I’m forty-one now and a writer myself, but it is still to Fisher whom I turn when I need to a jolt of the truth I’m constantly searching for. I’ve never read to “escape” my troubles. I read to learn how to escape, to survive, to see past the moments when my unstable mind takes myself or the world too seriously. When my Mom died five days after I graduated college; when my Dad wanted a stocking full of weed and painkillers; or when Donald Trump was elected and it truly felt like the apocalypse was nigh, I snuck off somewhere and listened to Carrie tell me, yes, life really is as shitty as I think it is, but nowhere near as shitty as it probably could be. Every single time, she was the calm inside my storm.

Now, she’s gone. And my mom is still dead, my father still thinks I’m a narc, and Trump is still doing whatever it is he thinks being President entails. For twenty-seven years Carrie Fisher’s voice saved me, but, ultimately, it wasn’t enough to save herself. This Christmas, even without her and the world (and my mind) still on fire, I’ll be returning to her well for comfort once again. As Fisher herself said, “If my life wasn’t funny it would just be true, and that is unacceptable.”